“I love my TBDD. I use it on most of the things I mix these days.
It does exactly what I need it to do to vocals and bass and claps and snare and guitars…
Wider is better!”
“The top end on the Model 23N is smooth yet detailed, but the bottom is where it really shines. The low end feels deep and effortless. It’s become a favorite on sources like bass and overheads where punch and detail are equally important. Plus there’s the added bonus of super low self-noise!”
“Here at Studio G Brooklyn Joel Hamilton and I have TBDD’s in both of our rooms. There are very very few mixes that don’t employ this awesome little secret weapon. It just works. Mixes have an extra shimmer and width. Thanks for bringing back this classic piece!!!”
“A fantastic chorus, maybe the best ever. It has some kind of magic others don’t have. My first choice for any (Fender)-Rhodes and CP70/80 pianos as well as on Oberheim/Sequential Circuits/Roland Jupiter 8 sounds when it comes to warm and wide pads. Highly recommended!”